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He removed the top of the Sharpie and turned to face the broad blue partition of the stall. The surface was clean, though its gloss had been scuffed and dulled by solvents and abrasives. There was nothing on the wall to which to respond, no lewd conversational thread he could join with arrow and riposte. He didn’t want to draw a dirty picture. He didn’t want to insult someone’s penis, or testicles. He didn’t want to scribble song lyrics or to extol marijuana. The wall was so blank, so clean. He was committed to writing on it, but he didn’t want to misquote Nietzsche or Camus. He didn’t want to request a sexual act or to offer sexual services or to say anything at all about gays, blacks, Muslims, Jews, or God. He didn’t want to post a threat. He didn’t want to compose or transcribe a limerick about constipation. His shoulder began to ache from holding the pen aloft. The light above the corner stall flickered. The beginning was the most difficult part.
— Chris Bachelder, The Throwback Special ‎· full of melancholy details
The room had two queen beds with diamond stitch comforters, an orange sitting chair, a desk, a dresser, a television, a mirror, a bedside table between the beds, a standing lamp, and four sconce lights. Above one bed was a framed watercolor of fireworks over a lake. Above the other bed was, as far as Andy could tell, precisely the same framed watercolor of fireworks over a lake. He stood between the beds, staring first at one painting, then the other, looking for minuscule differences. There were no differences that he could see. ‎· full of melancholy details
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