Chris' response to Dick's video, though she does not articulate it at the time, is complex. As an artist she finds Dick's work hopelessly naive, yet she is a lover of certain kinds of bad art, art which offers a transparency into the hopes and desires of the person who made it. Bad art makes the viewer much more active. (Years later Chris would realize that her fondness for bad art is exactly like Jane Eyre's attraction to Rochester, a mean horse-faced junky: bad characters invite invention.) But Chris keeps these thoughts to herself.
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